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(There’s a terrific overhead shot of the house in the middle of the night, seemingly under siege from the driving rain.) Artwork and family trinkets seen in the sunny, early scenes are defaced and marred in horrific fashion. Roth confines the action to the Webber household, staying inside most of the time save for a few scenes on the surrounding grounds. “Knock Knock” goes from titillating to terrifying in a heartbeat, with echoes of movies such as “Hard Candy,” “Funny Games” and “Fatal Attraction.” As Genesis and Bel come with increasingly bizarre methods in which to teach Evan a lesson, Reeves bellows helpful lines like “You’re crazy!” and “You’re both crazy!” and, when a friend shows up, “Be careful, they’re crazy!” Yes, the Webbers live on a cul-de-sac in a quiet California town, but how far from civilization are they?) Evan answers, and ta da! There’s Genesis (Lorenza Izzo) and Bel (Ana de Armas), two gorgeous, soaking wet temptresses who spin a story about getting lost on their way to a party, and one of them forgot her phone and the other got her phone wet, and can they come inside and dry off and call for a ride?īefore you know it, Genesis and Bel are wearing fluffy robes, dancing to suggestive music, asking Evan all about his love life and ramping up the sexual tension, even as Evan keeps checking his phone to see when the Uber he called will be arriving. Karen and the kids are conveniently away for a few days, leaving Evan to his work while a driving rainstorm pounds away outside. Evan is the luckiest man in the world! Only a fool would mess up such a good thing!Ĭut to that evening. Because Evan and Karen are a married couple with children and this is a movie, they leave the bedroom door unlocked so their morning lovemaking can be interrupted by the kids, who come running in with a cake for daddy and lots of cutesy dialogue so we can see just how happy everyone is. Only the plink-plink-plinking of the horror-movie piano hints at the darkness to fall upon this household.
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We see portrait after portrait of Evan (Reeves), his beautiful wife Karen (Ignacia Allamand) and their two precious children hints of long corridors and certain rooms that will come into play later in the story glimpses of Karen’s bold and colorful sculptures, which dominate the interior of the home and even the backyard. In a nifty bit of camerawork, the opening sequence of “Knock Knock” takes us on a tour of the gorgeously appointed and spacious home of the Webber family.
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#Knock knock keanu reeves movie
Or are they? Hmmm, maybe Keanu’s a genius!ĭirected and co-written by Eli Roth (“Cabin Fever,” “Hostel,” “The Green Inferno”) and inspired (if that’s the word) by the 1977 exploitation flick “Death Game,” this is a movie that doesn’t try to be anything more than what it is: a slick, twisted, extended sick joke with a classic lesson about the consequences when a good man who has done the right thing for his entire life makes one really big mistake - and pays dearly for it. Maybe it takes a very particular set of skills to make lines such as, “Chocolate with sprinkles!” and “I’m a good guy!” and “You my !” so memorably funny when they’re not supposed to be funny. Opens Friday at Chatham 14 and on demand.Īh, but maybe I’m underestimating Keanu. Rated R (for disturbing violent behavior, strong sexual content, nudity and language). Lionsgate Premiere presents a film directed by Eli Roth and written by Roth, Nicolás López and Guillermo Amoedo.